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I don’t have really a family because of Auschwitz, in a way. I have a big part of my family that was taken to Auschwitz to be killed. Read more of László Nemes's conversation with John Horn below, in which he discusses his motivations for making the film, the importance of sound design, and how he urged his actors to strive for a very subdued style of acting. But it is a fight for humanity, and for life, nonetheless. The boy he finds is already dead he may be Saul's son, and he may not be. Nemes's own extended family perished in Auschwitz, and he wanted to focus on the daily struggle for spiritual survival - whether the individual physically survived the experience or not. This is in contrast to Hollywood treatments of the Holocaust, which tend to take a wide scope of historical events and overwhelmingly focus on stories of those who made it out alive. Nemes also wanted to imagine the individual's daily experience in the camps. I wanted to say that the moral responsibility will always lay with the perpetrators, never with the victims." "With this film I wanted to suggest that the camp prevents the individual from thinking. "Nobody knows what they had to go through," Nemes told The Frame. They were, after all, forced under threat of death to complete their work. Nemes says that in his film he wants to rehabilitate the Sonderkommando. They were better fed and more well-dressed, but they were also isolated from the other prisoners. In a sense, they received special treatment. Factions of male prisoners selected for their physical strength, the Sonderkommandos, or "Special Unit Squads," were forced to work in the crematoriums, burning the bodies of gas chamber victims and disposing of the ashes. Saul, played by Géza Röhrig, embarks on an impossible quest: to give the body of a boy a proper burial.ĭuring the immediate years after World War II, the Sonderkommandos were seen as traitors and Nazi collaborators by the Jewish community.
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In his debut picture, "Son of Saul," Hungarian director and screenwriter László Nemes tells the story of a Sonderkommando in Auschwitz named Saul.